Each and every job, I vet, I double-vet.
If I give you a job, I turn down five, 10,
because I made a promise to keep you safe.
I keep you safe, Cataleya. That is a full-time job,
no matter what you think. But this?
It's not professional.
I don't care about what's professional. I'm doing this my way.
That is your way? Yeah.
A Tag Killer?
[SPEAKS IN SPANISH]
[SIGHS]
[SPEAKS IN SPANISH]
l should never have let you do this.
Never. You didn't let me do anything.
I chose this, remember? I chose this.
From the moment I walked in your door,
I had already made my decision. By yourself?
Yes.
Not you or anybody is going to change that.
We love you, Cataleya.
Then watch my back until it's done.
Cattleya.
Excuse me?
It's an orchid. What? This is?
Sure it is. It grows in Colombia. How do you know that?
My wife, she's Colombian.
Colombia. Uh...
Cattleya? That's right.
[♫]
Okay. Let's try "organization"
Well, shit.
Hi, boys. Did you miss me?
[BARKING]
Yeah? Well, I missed you too.
Hi. Come.
[KISSING]
You guys been good? Hm?
All right, stay.
Sirloin.
Juicy. Delicious.
Want one? Good.
Eat.
[CLANKING]
I know that song.
[CATALEYA SPEAKING IN SPANISH]
I guess the boys gave me away, huh?
You spoil them. I train them.
♫ If you're on the court alone ♫ ♫ Hoop dreams ♫
♫ Try to give it all you got ♫ ♫ Hoop dreams ♫
♫ Yo, it's 10:00 in the park Gettin' dark ♫
♫ But you still gotta hit this fast shot ♫ ♫ Hoop dreams ♫
J' Yo, I got this hoop dream Written all on my mind J'
♫ I'm 'bout to push rocks Orange with the black lines ♫
♫ Y'all know the deal I got dreams of dunks ♫
Fishy, fishy.
Willie!
Why are they ignoring me?
[LAUGHING]
What? WOODGARD: Baby,
you put one drop of blood in there,
they'll be your biggest admirers. Really?
WOODGARD: Oh, yeah, baby.
All the way down to your clean, stripped bones.
Cool.
[WOMEN LAUGHING AND WHOOPING]
Alejandro, you bring in extra security for tonight.
Yes, sir. You make sure
that we are shut down, tight.
Yes, sir. Take care.
[LAUGHING AND SHRIEKING]
Girls! Come to papa, huh?
[WOODGARD WHOOPS THEN LAUGHS]
[♫]
There are guys in the garden and guys out back.
I want you three upstairs. MAN: Yes, sir.
ALEJANDRO: Two on the roof.
Hurry!
[♫]
[GASPS]
What's this?
Willie, come back to bed.
Shh.
What the fuck is it?
Turn around.
[CHUCKLES]
Who are you? It doesn't matter who I am.
[GUNS CLICKING]
[YELLS]
[CHUCKLES]
Okay, what do you want?
I want you exactly where you are.
[SCREAMING]
Whatever they're paying, I'll double ii.
Please, please don't kill me. I'm not gonna kill you.
Eh--? Wha--?
Oh.
Oh, no, no. Please.
[SCREAMS]
Oh, no!
[GRUNTING]
[SCREAMS]
[PHONE RINGING}
Yeah? ROSS: Mn Steven Richard?
Who is this?
This is FBI Special Agent Ross.
Look, I'm lead agent on a case. It's a serial
we call the Tag Killer. You might have heard of him.
I've seen the publicity.
He marks his victims with a flower. It's from Colombia.
The Cattleya orchid. Each time I try to access information,
I get stuck with a CIA "access denied" tag.
I'm at the end of a long road, Mr. Richard. I've been led to believe
that you are the man-- Listen, Agent Ross.
I can’t give any information out over the phone.
I suggest you file a formal request with the agency
for any information you might want. I'll be happy
to get back to you as soon as I can.
[BUSY SIGNAL]
Thank you.
[CELL PHONE RINGS]
MARCO: Hello. Stop bullshitting me, Marco!
I got the FBI on my ass now.
I want that problem taken care of
Do you hear me? Loud and clear.
Good.
WOMAN [OVER PA]: Keep your baggage with you at all times.
[♫]
Where to?
Downtown. And we question every Colombian we meet
until we find an address to get her family, okay?
[♫]
DANNY: Jen, in case you show up, I wanted to let you know
that I went to New York to meet with galleries. I'll be back tomorrow,
but if you're already here, make yourself at home.
ROSS: What do we got?
WILLIAMS: We do have the surveillance tapes from a few angles.
[SCOFFS]
That's it? That's it.
It's not a lot to go on. Come on.
Run it through the database, see what happens.
[♫]
We're not looking for a woman. It's not possible.
[♫]
[DOOR OPENS]
Wow.
Wine? Thank you.
Come. I'm impressed.
I got you something.
You did? Yeah.
[CHUCKLES]
A stuffed alligator? Yeah.
Exactly what I've always wanted.
Hey, Wait. Wait, wait.
Let's just, uh...
Let's just sit, have this food and talk for a bit first.
[LAUGHS]
What do you want to talk about?
I don't know. Anything.
Ask me something.
How was your trip?
It was great. The gallery liked my paintings.
They're gonna put up a show. That's good.
Right? Yeah.
My turn.
How was your trip?
Hot. Did you do anything exciting?
I went swimming. Anything else?
[♫]
Come on, talk to me.
What do you want to know? Anything.
Something about you.
Something.
Where are you from?
Are your parents from here in the city?
Okay. Let's start with something a little more simple.
What do you like to eat for breakfast?
I don't eat breakfast.
I'm not gonna hurt you.
I want to know a little bit about you.
About what you feel, what you feel about me. Anything.
Just a little.
I feel lonely sometimes.
Thank you.
Me too.
Let me this time.
[♫]
[CAMERA SHUTTER CLICKS]
DANNY: Morning.
You say you don't eat breakfast, So I thought I'd make lunch.
Oh, my God. Oh, shit. Wait. Where you going?
I shouldn't have done this. Done what?
Any of it! I don't understand. Why?
What are you talking about? Why? Because.
Can you just hold on? Can we just talk about this?
No, no, Danny. We've talked too much.
Jennifer, just stay for a minute. I'm sorry, I have to go.
Jennifer!
[DOOR SLAMS]
[SIGHS]
[♫]
I'm sorry I'm late.
[SPEAKS IN SPANISH]
EMILIO: Eight people slaughtered in Miami.
One of them is my friend.
So what?
You know exactly what.
He's getting too close.
Please, again with that?
They're looking for you, so don't play with me.
You're bringing them to you.
I know how your twisted little mind works.
Think this is a game? I'm a fucking joke to you?
Hm?
You scare me, Cataleya.
I don't want to deal with your shit anymore.
I don't want to give you work or anything anymore.
YOU are retired.
You can't do that. Lunatic!
How many people did you kill when your boy died?
[SPEAKS IN SPANISH]
What you know about my son?
You know fucking nothing about my son.
[SPEAKS IN SPANISH]
Bur it changed nothing.
When I lose my son, I lose my life.
Everything that's important to me is gone.
But I want to believe in you, Cataleya.
Why? I still pray that you find a life away from this,
because no one in our entire family has a chance for one.
[SIGHS]
Listen. Never come to the house, never come to the church.
Don't bother.
I don't want to wait for your phone call no more.
I don't want you to break my mother's heart.
Maybe this
will help you to understand what I try to tell you.
[SPEAKS IN SPANISH]
[SOBBING]
[THUNDER RUMBLING]
Five-six, brown eyes-- Well, hazel, actually.
Dark hair, thick. Shiny.
Incredible body, killer Smile.
I think about her all day long. Dude, you're in love.
[SCOFFS]
You're so smart. Seriously, and I mean this
from the bottom of my heart, you're nuts.
I haven't had anyone in my life for 10 years.
I finally meet someone that I really like.
That I want to be with all the time.
I've got nothing. A stuffed animal and a picture.
You got a picture? Give it up.
It's not even a whole picture.
I took it of her while she was sleeping.
Oh, my God! Jesus, relax.
When do I meet the future Mrs. Delaney?
You? Never.
Oh, shit. Ha, ha.
DANNY: Excuse me. Excuse me. Why are you writing a ticket?
[PHONE RINGS]
Third Precinct. RYAN: Hey, Shari.
You got that picture?
SHARI: Hello, skinny face lying on my computer.
Ooh. She's beautiful. Clearly out of your league.
It's not for me, it's for Danny. Remember the painter?
Oh, yeah, yeah, yeah. Much better match.
How long's this gonna take?
Slow your roll. You're my brother-in-law, not my boss.
I'm not supposed to do this. Shari, you are gonna be
the fairy godmother in the most beautiful love story ever.
Okay? Think about it.
You get the honor of saying you made this all happen.
And I get to lose my job if I get caught.
[♫]
Done. I'll call when I got something.
Thank you, baby.
[KISSES]
He'll thank me later.
[♫]
[COMPUTER BEEPING]
I want a trace put on an incoming transmission.
Chicago, Third Precinct. Get somebody down there now.
[♫]
[SPEAKING INDISTINCTLY]
That was such a nice surprise.
Everyone grows up sometime.
She's gonna be okay.
Yes, Mama. I think so.
[♫]
Um, excuse me. AGENT: Come with me, please.
That's my computer. Why--?
Why are you on my computer? AGENT: Remain silent.
SHARI: You better not mess up my favorites.
We need a common base, so let's try his eyes.
Good. Now, let's see hands.
Looking good. And now...
Hm. Nice nose.
Congratulations. You have a girl.
Print it. Get it out to all stations.
And get the mobile unit ready.
Yes, Sir.
[♫]
[CELL PHONE VIBRATES]
DANNY: Hello? it's me.
Jen? Are you busy?
DANNY: No. No, I'm not.
TECH: Danny Delaney.
Localization in progress.
CATALEYA: I was just
looking out the window and thinking.
Where are you? I'm-- I'm at home.
Looking out the window too. We're looking
at the same sky now? Almost.
You have a sexy voice on the phone.
DANNY: Yeah, you do too.
TECH: Progress. We've got it.
There it is. We got it.
Give SWAT the location.
Let's go!
DANNY: I'm really glad you called me. Me too.
I was just looking at a picture of you
when the phone rang. Picture?
I took a picture of you sleeping with my phone.
But I just wanted to have something to remind me of you.
Did you show it to anybody? No. Well, actually, my friend Ryan.
Who else saw the picture? DANNY: Nobody. Why?
Danny, who else?
I didn't show it to anybody. What's the big deal?
DANNY: I just took a picture with my phone. I'm sorry.
I'm sorry too. Oh, fuck.
[♫]
See what we got.
Special Agent Williams. FBI.
AGENT: it's clear.
[♫]
CATALEYA: Shh. Unh.
[ON TV] I mean, I really think, like, he was publicly humiliated...
Everything's under control.
I need you to come with us.
We're evacuating the building.
MAN [OVER RADIO]: Copy. Ten-four.
Charges.
Blow it.
[♫]
[COUGHING]
No, she's not here. Lock down this building ASAP.
Anything? No, nothing.
No, wait, wait, wait. One security camera down.
Second down. Where?
The garage! All units, get to the garage.
Let's go. Let's go. Cover all the damn exits.
[GRUNTING]
She's here!
Look everywhere!
Under every oar. Look in every boot.
She's here. Find her!
Anything? Come on. Check that boot. In here.
[SPEAKS IN SPANISH]
Mama.
[GASPING]
[♫]
Mama!
[SOBBING]
Emilio! Emilio!
[GROANS]
[SOBBING]
I'm sorry.
[SCREAMS]
Thank you.
[GUN COCKS]
This won't take long. Please, sit.
You think you've been smart.
Have you covered all your bases?
Because this? This is already over.
This whole place is wired with webcams.
You mean these?
Talk about covering all my bases.
Your chair is pressure-wired. You move a single inch,
it'll be the last move you ever make.
And given what you know about me,
you know I don't bluff.
[BEEPING]
I don't know about you.
So I'm just gonna ask.
What happened to you that you could kill 23 people?
Would you believe me if I told you this wasn't the life I had imagined
when I was a child?
I wanted to be like you, on the other side.
Really? So, what happened?
[♫]
Luis Sandoval.
I was 9 when he had my parents killed
in front of me.
So all this?
The rag Killing, the clues
weren't for us at all. It was all for him?
Only way to track him down.
You needed us to put it all in the press?
Yes, but it took you so fucking long.
Goddamn. You've had to be really determined.
Very focused, huh? Not focused enough.
This morning he took the last piece of me.
You sent the man a message, he sent you one right back.
And now I'm gonna finish it.
Oh, I can't help you.
Yes, he's protected by your government.
By a part of my government that I cannot reach.
It's CIA, and I don't know why, but I can't get under it.
I can't get over it, and you have to believe me, I have tried.
Try harder, Agent Ross.
You have a beautiful family.
You go anywhere near my family, and I swear to God, I will--
Shh.
Now you know what you have to do.
Get me Luis Sandoval.
Because if you don't,
you're going to go to a funeral every week,
and I will not stop until you begin to feel
what I felt all these years.
I'm sorry.
Cataleya.
When your dinner's ready,
the timer in your chair will have expired.
Don't get up before.
Hey!
[BEEPING]
[MICROWAVE DINGS]
[♫]
[TIMER BEEPS]
RICHARD: You do understand that I only took this meeting
out of professional courtesy.
NOW, the truth is, I really can't help you at all.
Can't or won't? it's the same thing, really.
But in the spirit of reaching out,
let me put my cards on the table. Yeah?
I have met this woman,
this Tag Killer. It's a woman?
Yeah. Is she pretty?
She got the drop on me in my home, told me
that if I don't bring her the whereabouts of this man,
she's going to kill a member of my family
every week until I have none left. Are you kidding me?
Does it seem to you that I would make something like this up?
So why don't you just tell me what I should do?
Call 911.
Now, if you'll excuse me, I have a meeting.
It starts now.
[CELL PHONE RINGING]
Ross.
It's her. If you don't give her what she wants,
she's going to redecorate your whole office. With you.
Can you tell her that glass is tempered to resist
a direct hit by a 57 mm ordinance?
[GASPS]
Ten seconds to give up that address.
How can I be sure she won't kill me?
She says you can't, but you can trust me.
If you don't give her what she wants, you will be her 24th victim.
Eight-six-seven Magnolia Terrace, New Orleans.
She asked that you keep this conversation confidential.
With pleasure.
What about my family?
[BUSY SIGNAL]
[DOOR CLOSES]
[SIGHS]
[♫]
[WHIMPERING]
[BARKING]
Good morning. who are you?
That's not important.
What's important is, I need the floor plans
to 867 Magnolia Terrace. if you don't leave immediately,
I will call the police.
I really need those floor plans.
MARCO: You will take positions here, here and here.
You must expect the unexpected.
She's like mist under a door, like a mouse in the wall.
She will never attack straight on,
and you will not see her until it's too late.
She's that invisible.
Shit! Marco!
[MEN COUGHING AND GRUNTING]
[♫]
Don Luis.
Don Luis, are you okay?
Get the Mercedes!
LUIS: What happened? We need to get out.
Leave me alone! MAN 1: Come on!
MAN 2: Come on, come on!
MAN 3: Everyone in!
[♫]
We have to move.
MAN 4: Quick! Let's go! Hurry up.
Come on.
You hide here.
Wait for my call. LUIS: Okay.
MARCO: Come on! Find her!
And look everywhere!
[MAN SCREAMING]
[COUGHS]
[CELL PHONE RINGS]
Hello. LUIS: Did you catch her?
We're checking it.
I think we got her.
[SIGHS]
[GUNSHOTS AND MEN SCREAMING]
Marco! Marco!
[YELLING]
[GUN COCKS]
Marco!
What the hell is going on?
I will hold here. Marco!
[GUNSHOTS]
[DOOR CREAKS]
You've been waiting for this moment for a long time, right?
Yes.
[♫]
[BOTH GRUNTING]
[SCREAMS]
[GASPS]
[MARCO SCREAMS]
[♫]
[LUIS SPEAKING IN SPANISH]
[RINGING]
Marco?
CATALEYA [ON SPEAKERPHONE]I No.
It's Cataleya.
What were you expecting?
You have ruined your whole life trying to kill me.
Someone like me?
I cannot be killed. I do the killing.
And now it's your tum to be hunted.
You will never find me.
But as day follows night, believe me,
I'll find you, and I will kill you! And you know why?
Because I will never be where you want me to be.
Actually...
you're exactly where I want you to be.
Huh?
[DOGS WHIMPERING]
[BARKING]
Aah! Eat.
[LUIS SCREAMING AND DOGS GROWLING]
[♫]
ROSS: You should think very carefully.
Is there anything else? I've already told you everything.
She'd come by for a couple of hours, then she'd leave.
It's late, I'm tired. If you are not gonna arrest me...
We don't actually have anything to charge you with.
So can I leave? No.
I got a few more questions.
Can I at least get a cup of coffee? Yeah.
Cream and sugar?
Yes, please.
[♫]
[CELL PHONE VIBRATING]
Hello? Hello?
Jen. Thank God. Look, I had no idea.
I'm so sorry. Are you okay?
I'm fine.
Where are you? FBI.
Danny, you know that they-- Yeah.
How much time do we have?
Forty seconds.
Use this time for three questions. What's your real name?
Cataleya.
Like the flower?
Yes. Like the flower.
Twenty-two seconds.
Will my little bird come back one day?
Leave your window open and you'll see.
WILLIAMS: Hey, Ross! Yeah?
We're picking something up off that guy's phone.
Last question.
I love you.
Give me that phone. Give it. Hello?
Hello?
[♫]
You can go.
[JOHN NY CASH'S "HURT" PLAYING]
♫ I hurt myself today ♫
♫ To see if I still feel ♫
♫ I focus on the pain ♫
♫ The only thing that's real ♫
♫ The needle tears a hole ♫
♫ The old familiar sting ♫
♫ Try to kill it all away ♫
♫ But I remember everything ♫
♫ What have I become ♫
♫ My sweetest friend? ♫
♫ Everyone I know ♫
♫ Goes away in the end ♫
♫ And you could have it all ♫
♫ My empire of dirt ♫
♫ I will let you down ♫
♫ I will make you hurt ♫
♫ I wear this crown of thorns ♫
♫ Upon my liar's chair ♫
♫ Full of broken thoughts ♫
♫ I cannot repair ♫
♫ Beneath the stains of time ♫
♫ The feelings disappear ♫
♫ You are someone else ♫
♫ I am still right here ♫
♫ What have I become ♫
♫ My sweetest friend? ♫
♫ Everyone I know ♫
♫ Goes away in the end ♫
♫ And you could have it all ♫
♫ My empire of dirt ♫
♫ I will let you down ♫
♫ I will make you hurt ♫
♫ If I could start again ♫
♫ A million miles away ♫
♫ I would keep myself ♫
♫ I would find a way ♫
[♫]